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The original black and white photo. Later versions may have color or a second light source added. Grace is a photograph by Eric Enstrom.It depicts an elderly man (named Charles Wilden) with hands folded, saying a prayer over a table with a simple meal.
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
The Prayer at Valley Forge, arguably Friberg's most well-known painting. Arnold Friberg (December 21, 1913 – July 1, 2010) was an American illustrator and painter noted for his religious and patriotic works. He is perhaps best known for his 1975 painting The Prayer at Valley Forge, a depiction of George Washington praying at Valley Forge.
The Thankful Poor is an 1894 genre painting by the African-American painter Henry Ossawa Tanner.It depicts two African Americans praying at a table, and shares common themes with Tanner's other paintings from the 1890s including The Banjo Lesson (1893) and The Young Sabot Maker (1895).
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
The Badge Man is a figure that is purportedly present within the Mary Moorman photograph of the assassination of United States president John F. Kennedy in Dealey Plaza on November 22, 1963. Conspiracy theorists have suggested that this figure is a sniper firing a weapon at the president from the grassy knoll .
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Saying Grace or The Prayer Before a Meal (French: Le Bénédicité) is the title of several paintings by French artist Jean Simeon Chardin, one of which was given as a gift to Louis XV. The subject of the painting, a middle-class French family saying grace before a meal, is one of everyday bourgeois tranquillity – Chardin's area of interest ...