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Fair Isle (/fɛəraɪ̯l/) is a traditional knitting technique used to create patterns with multiple colours. It is named after Fair Isle, one of the Shetland Islands. Fair Isle knitting gained considerable popularity when the Prince of Wales (later King Edward VIII) wore Fair Isle jumpers in public in 1921. Traditional Fair Isle patterns have ...
A lopapeysa Icelandic girls wearing traditionally patterned lopapeysa sweaters. A lopapeysa (Icelandic: [ˈlɔːpaˌpʰeiːsa]) or Icelandic sweater is an Icelandic style of sweater originating in early or mid-20th century, at a time when imports had displaced older and more traditional Icelandic clothing and people began to search for new ways to utilize the plentiful native wool.
Download as PDF; Printable version; ... a wide variety of colours and patterns. 1970s Missoni tartan knit jumper ... time or full-time, [195] especially women. ...
Cables are often used to make braid patterns. Usually, the cables themselves are with a knit stitch while the background is done in purl. As the number of cables increases, the number of crossing patterns increases, as described by the braid group. Various visual effects are also possible by shifting the center lines of the undulating cables ...
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In the 21st century, only a few hundred people still wear traditional dresses and suits on a daily basis. They can be found mainly in Staphorst (about 700 women), Volendam (about 50 men) and Marken (about 40 women). Most well-known parts of Dutch folk costumes outside the Netherlands are probably the Dutch woman's bonnet and klompen.
Bow-knot sweater designed by Elsa Schiaparelli (1927). Anonymous drawing published on Vogue (Paris), vol. 8, no. 12, 1st December 1927, p. 9. Whilst in Paris, Schiaparelli—"Schiap" to her friends—began making her own clothes. With encouragement from Poiret, she started her own business, but it closed in 1926 despite favourable reviews. [8]
Once he had mastered the technique, he created a full-time tapestry workshop at the Morris and Company house on Queen Square. For most of his tapestries, Morris worked with other artists, particularly Edward Burne-Jones , who designed the figures, Philip Webb, who designed birds and animals, and with his primary assistant and successor as chief ...
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