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Szabla (Polish pronunciation:; plural: szable) is the Polish word for sabre. [1] The sabre was in widespread use in the Polish–Lithuanian Commonwealth during the Early Modern period, especially by light cavalry in the 17th century. The sabre became widespread in Europe following the Thirty Years' War and was also adopted by infantry.
Eventually in 1975 a commission set up by the Polish Army Museum designed a new szabla wz. 1976 - a parade sabre for use by the Polish Land Forces (wz. 1976 WP) and the Polish Navy (wz. 1976 MW). Both variants were based on the original pre-war wz. 34, but also included design elements from earlier sabres, notably from the 17th century hussar ...
The original type of sabre, or Polish szabla, was used as a cavalry weapon, possibly inspired by Hungarian or wider Turco-Mongol warfare. The karabela was a type of szabla popular in the late 17th century, worn by the Polish–Lithuanian Commonwealth nobility class, the szlachta.
Karabela sabre, 17th century Karabela of King Sigismund III of Poland. A karabela was a type of Polish sabre popular in the Polish–Lithuanian Commonwealth.Polish fencer Wojciech Zabłocki defines a karabela as a decorated sabre with the handle stylized as the head of a bird and an open crossguard.
In Poland, the szabla became known as the szabla węgierska ("Hungarian saber") or batorówka after King Stephen Báthory; it was subsequently called the zygmuntówka after Poland's King Sigismund III Vasa and the augustówka after King Augustus III.
The tactic of a charge by heavily armoured hussars and horses was usually decisive for nearly two centuries. The hussars fought with a kopia (lance), a koncerz (stabbing sword), a szabla (sabre), set of two to six pistols, often a carbine or arquebus (known in Polish as a bandolet) and sometimes a warhammer
It was also manifested in oriental-style apparel, the żupan, kontusz, sukmana, pas kontuszowy, delia and made the scimitar-like szabla a near-obligatory item of everyday szlachta apparel. Sarmatism served to integrate a nobility of disparate provenance, as it sought to create a sense of national unity and pride in the szlachta's " Golden ...
The post 1630, knuckle bow hilted, fullered, Szabla, of the Polish-Hungarian Hussars, is often credited as Le Marchant's inspiration for the pattern. [3] The blade profile is similar to some examples of the Indian tulwar. [4] This similarity prompted some Indian armourers to re-hilt old 1796 pattern blades as tulwars later in the 19th century ...