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The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
The Realistic DX-150 and DX-160 series of Shortwave (LW/MW/SW) radios were affordable communications receivers, aimed largely at beginners, that also received SSB and CW via a BFO. Probably thousands of SWL's, MW DX'ers, and future hams got their start listening to the SW broadcast and SW ham bands with these radios.
In 1996 a CD, The Phase 4 Experience, was released with classical and soundtrack recordings from 1966 to 1979 (London 444 788-2 LPX/PY 871). In 2014, a 41-CD boxed set of Stereo Concert Series classical albums was released, [7] and in 2017 another 40-CD box set of soundtrack and Easy listening/popular recordings, called Spectacular: Nice 'n' Easy.
Schematic drawing of the Grateful Dead's wall of sound. Stanley and Dan Healy and Mark Raizene of the Grateful Dead's sound crew, in collaboration with Ron Wickersham, Rick Turner, and John Curl of Alembic designed the sound reinforcement system in an effort to deliver high-quality sound to attendees of Grateful Dead concerts, which were drawing crowds of 100,000 or more at the time.
Wilson Audio Specialties Inc. (commonly referred to as Wilson Audio) is an American high-end audio loudspeaker manufacturing company, located in Provo, Utah.Wilson Audio was co-founded by the late David A. Wilson (1944–2018) with his wife Sheryl Lee Wilson in 1974.
Mike Millard (May 18, 1951 – November 29, 1994), [1] nicknamed "Mike The Mic" was an avid concert taper circa 1973 to 1994, recording over 300 concerts, including Led Zeppelin, Pink Floyd and the Rolling Stones concerts in California. [2] He taped virtually every show at the Forum from 1974 to 1980.
By the mid-1950s, the public's fascination with stereo imaging was fading, and by 1960 the Stereo Realist was the only stereo camera of the 1950s era that was still manufactured. [1] Realist production limped on at much-reduced numbers throughout the 1960s and finally ceased in 1971. [ 1 ]
The AY-3-8910 is a 3-voice programmable sound generator (PSG) designed by General Instrument (GI) in 1978, initially for use with their 16-bit CP1610 or one of the PIC1650 series of 8-bit microcomputers. The AY-3-8910 and its variants were used in many arcade games—Konami's Gyruss contains five [1] —and Bally pinball machines as well as ...