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Collyer, Joseph, A portrait of Benvenuto Cellini. Engraving. 26.5 cm by 14 cm. (1771) National Library, Vienna. Inventory number 8191345. In 1891, French book-publisher Eugene Plon called into question the attribution of personalities on the fresco, which had until then been regarded as authentic since the 16th century. [5]
Cellini, Benvenuto. Paint Self-Portrait. 1558–1560. Oil, paper glued to canvas. 61 cm by 48 cm. Private collection; Benvenuto. Juno. Drawing on paper. Cabinet of Drawings, Louvre Museum, Paris; Cellini, Benvenuto. Satyr. 41 x 20.2 cm. Pen, ink. National Gallery of Art, Washington (from the Ian Woodner Collection, New York) Cellini, Benvenuto ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Portrait of Benvenuto Cellini Description Serie di ritratti d'uomini illustri toscani, con gli elogj istorici dei medesimi, Allegrini, Giuseppe, Zocchi, Giuseppe, 1711-1767
The following other wikis use this file: Usage on da.wikipedia.org Portrætter af Benvenuto Cellini; Usage on es.wikipedia.org Usuario:Sunshineadmirer/Portraits of Benvenuto Cellini
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Portraits of Benvenuto Cellini; R. Self-Portrait with a Friend; S. Saint Dominic in Soriano; Salvator Mundi (Leonardo) Sanders portrait; Portrait of a Saxon Noblewoman;
The Saliera. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini (c.1500-1571). It was completed in 1543 for Francis I of France (r.1515-1547), from silver plate models that had been prepared many years earlier for Cardinal Ippolito d'Este (c.1479-1520).