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Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera.. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
There are four basic theatrical genres either defined, implied, or derived by or from Aristotle: Tragedy, Comedy, Melodrama, and Drama. Any number of theatrical styles can be used to convey these forms. A good working definition of "Style" is how something is done. Theatrical styles are influenced by their time and place, artistic and other ...
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry ...
Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. [1] Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge , to adapt a work for the stage.
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. [2]
Bharata Muni (fl. 5th–2nd century BC) was an ancient Indian writer best known for writing the Natya Shastra of Bharata, a theoretical treatise on Indian performing arts, including theatre, dance, acting, and music, which has been compared to Aristotle's Poetics. Bharata is often known as the father of Indian theatrical arts.
A central aspect of theatre of the absurd is the deliberate contradiction between language and action. Often, the dialogue between characters starkly contrasts with their actions. Prominent playwrights within this genre include Samuel Beckett, Jean-Paul Sartre, Eugène Ionesco, Arthur Adamov, and Jean Genet. [9]