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"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston . The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief.
Download as PDF; Printable version; ... It was released as a single after "All Along the Watchtower", ... Noel Redding on bass guitar, ...
John Wesley Harding is the eighth studio album by the American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records.Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music.
"All Along the Watchtower" became the band's top-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. [22] The album also included one of Hendrix's most prominent uses of a wah-wah pedal , on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.
All compositions by Michael Hedges except "All Along the Watchtower" by Bob Dylan. "Face Yourself" – 4:43 "I'm Coming Home" – 4:14 "Woman of the World" – 4:17 "Watching My Life Go By" – 3:16 "I Want You" – 4:00 "The Streamlined Man" – 3:46 "Out on the Parkway" – 2:58 "Holiday" – 5:14 "All Along the Watchtower" (Bob Dylan) – 3:01
original version for piano solo; orchestrated 1986 Orchestral: 1987: Campane di Ravello (Bells of Ravello), A Celebration Piece for Sir Georg Solti: for orchestra: Orchestral: 1988: Symphony No. 1: for orchestra: winner of the 1991 Grawemeyer Award for Music Composition winner of the 1992 Grammy Award for Best Classical Contemporary Composition
Download as PDF; Printable version; In other projects Wikidata item; ... "All Along the Watchtower" – 3:20 "Ain't Nothing Like the Real Thing" ...
Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan, who had temporarily quit smoking [4] —a soft, affected country croon. The result received a generally positive reaction from critics, and was a commercial success.