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"Back Off Boogaloo" is a song by the English rock musician Ringo Starr that was released as a non-album single in March 1972. Starr's former Beatles bandmate George Harrison produced the recording and helped Starr write the song, although he remained uncredited as a co-writer until 2017.
The introduction beginning "To lead a better life" opens in the key of G and involves a I–iii– ♭ III–ii–V 7 chord progression. The ♭ III (B ♭ chord) on "I need my love to be here" (arpeggiated in the melody line) is a dissonant substitute for the more predictable VI (E 7) that would normally lead to the ii (Am) chord. [11]
Harrison likened "If I Needed Someone" to "a million other songs" that are based on a guitarist's finger movements around the D major chord. [22] [nb 3] The song is founded on a riff played on a Rickenbacker 360/12, [24] [25] which was the twelve-string electric guitar that McGuinn had adopted as the Byrds' signature instrument after seeing Harrison playing one in A Hard Day's Night.
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. [2]
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
A simple twelve-bar blues number extended into fourteen-bars, [10] the song uses only the chords I, IV and V. [9] One of the few Beatles songs to feature a simple verse form, [11] musicologist Alan W. Pollack suggests that, in the context of the Beatles' 1965 compositions, its simple format is stylistically regressive. [9]
Featuring backwards cymbals, cascading Indian harp … guitar solos, timpani, bongos, trumpets and cellos, this was the lushest music The Beatles had recorded up to then … From its weird Mellotron opening to its fake drum forward reprise where John's voice could be heard saying "Cranberry sauce", "Strawberry Fields Forever" inaugurated 1967 ...
[4] The actual meaning of the term "Aeolian cadence" is that a major key song resolves on the vi chord, which is the tonic chord of the relative minor key (the Mahler ends on the major tonic with an "added 6th," not on a VI chord.) The term derives from the fact that the Aeolian mode is rooted on the sixth step of the major scale.