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Mokume-gane (木目金) is a Japanese metalworking procedure which produces a mixed-metal laminate with distinctive layered patterns; the term is also used to refer to the resulting laminate itself. The term mokume-gane translates closely to 'wood grain metal' or 'wood eye metal' and describes the way metal takes on the appearance of natural ...
A number of different types of wood are used in the creation of yosegi.Both the spindle tree (Euonymus spp.) and Ilex macropoda are used for the colour white; aged wood from the Katsura tree (Cercidiphyllum japonicum) is used for black; Picrasma quassioides, mulberry and the Chinese lacquer tree (Toxicodendron vernicifluum) are used for yellow; the camphor tree (Cinnamomum camphora) and ...
The patterns are designed to look good, but also to distribute light and wind in a calming and beautiful way. [ 5 ] Traditionally it is made with hand-tools only, but in the western society they have made new techniques to make these kinds of patterns, it involves a table saw, a sharp chisel, and some guides made by yourself, some can be made ...
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
Color and gold on wood (Japanese cypress), 30 by 45 cm (12 by 18 in), Itsukushima Shrine, Hatsukaichi, Hiroshima: Leather with grape arabesque pattern (葡萄唐草文染韋, budō karakusamon somekawa) Contains also drawings of people and monks Nara period, 8th century
Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [1] Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. [2]
Wood, or wood frame covered with cloth or paper, often painted. Feet may be integral, or a separate stand into which a fusuma-like panel can be slotted. [13] Shown is a konmeichi (昆明池) panel, 6 shaku (181.8 cm (71.6 in)) tall; most are shorter seated-height panels. [14] Dates from the 600s or earlier. One of the oldest types of screen ...
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
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