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The king always has this hat even in sets which do not take human form. The queen, as representative of women (nkongwe [4]), carries a water pot on her head which is the custom in rural Africa. The knight is in the style of a giraffe (twiga [4]); horses were unknown to the tribe as they cannot survive in this part of Africa because of the ...
Duncan Forbes suggested in 1860 that the lion should combine the moves of rook and giraffe; the bull should combine the moves of picket and giraffe; and the revealer should combine the moves of picket and rook. (He gave the picket the move of the modern bishop, thus making the revealer identical to the modern queen.)
The design of a pattern effective in all terrains has proved elusive. [180] [181] [182] The American Universal Camouflage Pattern of 2004 attempted to suit all environments, but was withdrawn after a few years of service. [183] Terrain-specific patterns have sometimes been developed but are ineffective in other terrains. [184]
A pattern is a regularity in the world, in human-made design, [1] or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design. Any of the senses may directly observe patterns.
There are, historically, a whole family of "other uses" templates for specific cases. {} is the standard hatnote for "other uses" and many of them can be specified using the {} template. However, the individual templates may be easier to use in certain contexts.
To change this template's initial visibility, the |state= parameter may be used: {{The Cat in the Hat | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{The Cat in the Hat | state = expanded}} will show the template expanded, i.e. fully visible.
The gerenuk [a] (Litocranius walleri), also known as the giraffe gazelle, is a long-necked, medium-sized antelope found in parts of East Africa. The sole member of the genus Litocranius , the gerenuk was first described by the naturalist Victor Brooke in 1879.
The giraffe carvings were first recorded by French archaeologist Christian Dupuy in 1987, [3] and documented by David Coulson [4] in 1997 while on a photographic expedition to the site. Due to degradation of the engravings resulting from human activity, a mold was made of the engravings for display.
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