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The Wrong Man is a 1956 American docudrama film noir directed by Alfred Hitchcock and starring Henry Fonda and Vera Miles.The film was drawn from the true story of an innocent man charged with a crime, as described in the book The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson [2] [3] and in the magazine article "A Case of Identity", which was published in Life magazine in ...
Balestrero is a surname. Notable people with the surname include: Christopher Emmanuel Balestrero (1909–1998), the person on whom the movie The Wrong Man (1956) is based; Ettore Balestrero (born 1966), diplomat of the Holy See; Gregory Balestrero (born 1947), American industrial engineer; Renato Balestrero (1898–1948), Italian racing car driver
The Wrong Man (1956) – film noir drama film based on the true story of an innocent man charged with a crime, as described in the book The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson [267]
Gregory Balestrero is the son of Christopher Emmanuel and Rose (Giolito) Balestrero. [2] His father's arrest in a case of mistaken identity was the subject of a book by Maxwell Anderson and of Alfred Hitchcock's 1956 movie The Wrong Man.
Louisiana's execution of Christopher Sepulvado on March 17 would mark the end of a 15-year break in executions in the state, which plans to use nitrogen gas. Arizona's execution of Aaron Gunches ...
Editor’s note: CNN Films brings the premiere of “Super/Man: The Christopher Reeve Story” to CNN at 8 p.m. ET/PT Sunday. Dana Reeve was devoted to caring for her husband, Christopher Reeve ...
In 2020, Donald Trump pardoned cybersecurity executive Chris Wade for crimes that had been sealed. Unsealed documents show he was part of a sophisticated spam email operation busted by an informant.
O'Connor gained fame as a lawyer in 1953, when he defended Christopher Emmanuel Balestrero, a bass player at the Stork Club falsely accused of armed robbery. The story was the basis of the 1956 Alfred Hitchcock movie, The Wrong Man, in which O'Connor was portrayed by Anthony Quayle.