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Bali-og, also spelled baliog, are traditional layered necklaces of various ethnic groups in the islands of Visayas and Mindanao in the Philippines. They consist of chokers and necklaces with a fringe of beads and other ornaments. More than one is usually worn, layered over each other.
Fashion is one of the Philippines' oldest artistic crafts, and each ethnic group has an individual fashion sense. Indigenous fashion uses materials created with the traditional arts, such as weaving and the ornamental arts. Unlike industrial design (which is intended for objects and structures), fashion design is a bodily package.
During the workshop, participants learn to make a traditional Filipino Christmas parol, originally designed by the artist, with the use of only 5 bamboo sticks, japanese paper, rubber bands, wire, glue and ornaments. [34] In San Francisco and Los Angeles, California, Filipino Americans celebrate an annual Parol Festival in December. [35]
Non-local ornaments suggest trade was common prior to colonial influences. As a result, it points to a more advanced culture inconsistent with narratives of a primitive culture prior to colonialism. Instead, there are established systems that deal with trading and producing ornaments. Neolithic Jade Ornament
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
The shell ornaments were dated 4854 B.C. [2] Duyong Cave, near the Tabon Caves of Palawan's western coast (Philippines) produced a "Neolithic Burial" with four Tridacna shell adzes and two different types of shell ornaments as well as other types of shell tools. The calibrated Carbon 14 date for the burial is 3,675 - 3,015 B.C. and 4,575 ...
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