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While the term "Gothic" in art history covers the 12th to 15th centuries, Gothic plate armour develops only during 1420–1440s, when the technological development of armour reached the stage where full plate armour (including movable joints) was made, and national styles of "white armour" began to emerge, specifically German ("Gothic") and Italian (Milanese).
After about 1340, the plates covering the chest were combined to form an early breastplate, replacing the coat of plates. [3] After 1370, the breastplate covered the entire torso. [3] Different forms of the coat of plates, known as the brigandine and jack of plates, remained in use until the late 16th century. [2]
Jupiter had impregnated Stimula, causing Juno to become jealous. Juno convinced Stimula to ask Jupiter to appear in his full splendor, which the mortal woman could not handle, causing her to burn. After Bacchus, Stimula's unborn child, became an adult and the god of wine, he honored his deceased mother by placing a wreath in the sky. (Roman ...
A full suit of plate armour would have consisted of a helmet, a gorget (or bevor), spaulders, pauldrons with gardbraces to cover the armpits as was seen in French armour, [16] [17] or besagews (also known as rondels) which were mostly used in Gothic Armour, rerebraces, couters, vambraces, gauntlets, a cuirass (breastplate and backplate) with a ...
Developed in antiquity but became common in the 14th century with the reintroduction of plate armour, later sometimes two pieces overlapping for top and bottom. Whether of one piece or two, breastplate is sometimes used to literally describe the section that covers the breast. Plackart: Extra layer of plate armour initially covering the belly.
The 14th century Majapahit Empire manufactured breastplate, called karambalangan.The most notable people using this type of breastplate is Gajah Mada, which is reported by Sundanese patih as wearing golden embossed karambalangan, armed with gold-layered spear, and with a shield full of diamond decoration.
Saint Maurice by Lucas Cranach the Elder (1472–1553), depicted wearing a full silver armour that was either made for Maximilian I(later acquired by Emperor Charles V) or commissioned by Cardinal Albrecht of Brandenburg for Charles V to be used in his coronation in Aachen in 1520. [11] [12] [13]
All these pieces are made of beaten bronze sheet and are backed with leather and loosely fastened by ox-hide thongs to allow some degree of movement. The complete panoply thus forms a cumbersome tubular suit of armour, which fully protects the neck and torso, and extends down to the knees. It appears that lower arm guards and a set of greaves ...