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Traditionally, conflict is a major element of narrative or dramatic structure that creates challenges in a story by adding uncertainty as to whether the goal will be achieved. In works of narrative , conflict is the challenge main characters need to solve to achieve their goals .
Rogerian argument is an application of Rogers' ideas about communication, taught by rhetoric teachers who were inspired by Rapoport, [6] [7] but Rogers' ideas about communication have also been applied somewhat differently by many others: for example, Marshall Rosenberg created nonviolent communication, a process of conflict resolution and ...
In her 2019 book Meander, Spiral, Explode: Design and Pattern in Narrative novelist and writing teacher Jane Alison criticized the conflict-climax-resolution structure of narrative as "masculo-sexual," and instead argues that narratives should form around various types patterns, for example found in nature. [92] [93]
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
Ramayana, Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion ...
Narrowly speaking, the conflict is the major problem a protagonist, or main character, encounters across a story. Often, a protagonist additionally struggles with a sense of anxiety, insecurity, indecisiveness, or other mental difficulty as result of this conflict, which can be regarded as a secondary or internal conflict. Longer works of ...
The origin of the word tragedy has been a matter of discussion from ancient times. The primary source of knowledge on the question is the Poetics of Aristotle.Aristotle was able to gather first-hand documentation from theater performance in Attica, which is inaccessible to scholars today.
However, in France opposition soon began to grow in the form of a Romantic movement, that wanted freedom from the strictures of the classical unities. It turned into a fierce literary conflict. The opposition included Victor Hugo, Alexandre Dumas, and others. Victor Hugo, in the preface to his play, Cromwell, criticizes the unities, saying in part,