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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
The tabor is beaten on the snare side. Georges Bizet scored for the tabor drum in his L'Arlesienne Suite No. 2, and Aaron Copland calls for it in his Appalachian Spring and El Salón México. Darius Milhaud has been named one of the foremost composers of modern (mid-20th century) music for the tabor by Morris Goldenberg.
The origin of snare drum rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum ...
Drums with two heads can also have a set of wires, called snares, held across the bottom head, top head, or both heads, hence the name snare drum. [1] On some drums with two heads, a hole or bass reflex port may be cut or installed onto one head, as with some 2010s era bass drums in rock music.
Among ancient war drums that can be mentioned, junjung was used by the Serer people in West Africa.The Rigveda describes the war drum as the fist of Indra. [1]In early medieval Europe, the Byzantine Empire made use of military drums to indicate marching and rowing cadence, [2] as well as a psychological weapon on the battlefield since the End of Antiquity. [3]
A fife and drum corps is a musical ensemble consisting of fifes and drums. In the United States of America, fife and drum corps specializing in colonial period impressions using fifes, rope tension snare drums and rope tension bass drums are known as Ancient Fife and Drum Corps. [1] Many of these ensembles originated from a type of military ...
J. Burns Moore was born in 1872 in North Sydney, Nova Scotia, Canada. [1] His family moved to New Haven, Connecticut in 1888 when he was sixteen years old. [2] He played in his first snare drumming competition while a sergeant in the New Haven Grays. [2]
The second is the "ping shot", where the bead is struck about one inch (2.5 cm) from the rim. This produces a high-pitched sound. The third is a "gock" (also spelled gawk), which is produced by hitting the bead of the drum stick at the center of the drum while the rim is percussed with the distal shaft of the stick (near the hand). This makes a ...
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