Search results
Results from the WOW.Com Content Network
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
The colascione (or calascione, Italian: [kolaˈʃʃoːne], French: colachon [kɔlaˈʃɔ̃], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods, [1] [2] [3] with a lute-like resonant body and a very long neck.
The clavichord is an example of a period instrument.. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written.
The Early Music Shop is an early music store specialising in the sale and distribution of reproduction Renaissance and medieval musical instruments, with two showrooms situated in Saltaire and Snape Maltings, United Kingdom. It was founded by Richard Wood in 1968 [1] and has become the largest supplier of early musical instruments worldwide. [2]
Any late Italian Baroque music with a part labelled 'liuto' will mean 'arciliuto', the classic Renaissance lute being in disuse by this time. Among the most important composers of archlute music in the 17th century we can name Alessandro Piccinini, Giovanni Girolamo Kapsperger (c. 1580 – 17 January 1651) and in the 18th century Giovanni Zamboni, whose set of 12 sonatas (1718, Lucca) for the ...
The first treatise published for the Baroque guitar was Guitarra Española de cinco ordenes (The Five-course Spanish Guitar), c. 1590, by Juan Carlos Amat. [5] [6] The baroque guitar in contemporary ensembles took on the role of a basso continuo instrument and players would be expected to improvise a chordal accompaniment.
The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable ...
Examples of lutes converted into guitars exist in several museums, while purpose-built instruments like the gallichon utilised the tuning and single string configuration of the modern guitar. A tradition of building round-backed guitars in Germany continued to the 20th century with names like Gittar-Laute and Wandervogellaute.