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The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God to a state of guilty disobedience. [1] The doctrine of the Fall comes from a biblical interpretation of Genesis, chapters 1–3. [1]
Catholic theologian Ludwig Ott in his authoritative Fundamentals of Catholic Dogma, under the section "The Divine Work of Creation", (pages 92–122) covers the "biblical hexahemeron" (the "six days" of creation), the creation of man, Adam/Eve, original sin, the Fall, and the statements of the early Fathers, saints, church councils, and popes ...
Creation and the Fall are a pair of 1420-1425 frescoes by Paolo Uccello, produced for the Chiostro Verde (Green Cloister) in Santa Maria Novella in Florence. As with the other frescoes in the cloister, it shows scenes from the Book of Genesis in monochrome , terra verde or "verdeterra" (giving the cloister its name), a pigment based on silica ...
Adam and Eve, according to the creation myth [Note 1] of the Abrahamic religions, [1] [2] were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. [3]
The entry of Adam into the Garden only forty days after his creation (eighty for Eve). The explanation of the eight parts of Adam's body and the origin of the name 'Adam'. Only the plot of chapters 23–24, 30–49, 51 is in common with that of the Apocalypse of Moses, though with great differences in details.
The Creation (German: Die Schöpfung) is an oratorio written in 1797 and 1798 by Joseph Haydn (Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis. The libretto was written by Gottfried van Swieten.
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
The Creation of the World and the Expulsion from Paradise by Giovanni di Paolo in 1445 (originally part of the altarpiece in Siena's church of San Domenico).. The meta-historical fall (also called a metaphysical, supramundane, atemporal, or pre-cosmic fall) is an understanding of the biblical fall of man as a reality outside of empirical history that affects the entire history of the universe.