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Sonata for cello and organ, op. 36; Max Reger. Aria, from Suite for violin and piano in A major, Op. 103a; Josef Rheinberger. Abendlied, No. 3 from Geistliche Gesänge, Op. 69 (originally for choir SSATTB) 3 Pièces, from 6 Pièces for violin and organ, op. 150; Dominique Rivolta Mélodie transmutée; Daniel Roth
Cello Concerto No. 3 in C major, H. 7b/3 (c. 1780, lost) Cello Concerto No. 4 in D major, H. 7b/4 (1750s, spurious, now thought to be the work of Giovanni Battista Costanzi – see Petrucci Music Library) Cello Concerto No. 5 in C major, H. 7b/5 (1899, spurious, now thought to be the work of David Popper)
Concerto for cello No. 3 for solo cello (1965) Granville Bantock. Sonata in G minor (1924) Rami Bar-Niv. Improvisation; Arnold Bax. Rhapsodic Ballad (1939) [2] Sally Beamish. Gala Water for solo cello (1988) [3] The Wise Maid [3] Conrad Beck. Epigrams (for Paul Sacher) Grant Beglarian. Elegy for Cellist for solo cello (1979) Paul Ben-Haim ...
Cello Sonata No. 3 in G minor (1905) Cello Sonata No. 4 in C minor (1906) Cello Sonata No. 5 in B minor, Op. 56 (1907–10) Cello Sonata No. 6 in D (1914–15) Cello Sonata No. 7 in F-sharp minor (1917) Cello Sonata No. 8 in D minor (1926) Cello Sonata No. 9 in E minor (1927) Cello Sonata No. 10 in C minor (1927) Cello Sonata No. 11 in D minor ...
Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
The Cello Sonata No. 3 in A major, Op. 69, is the third of five cello sonatas by Ludwig van Beethoven. He composed it in 1807–08, during his productive middle period . It was first performed in 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann , a student of Beethoven.
G 439: Flute Quintet with cello concertante No. 3 in C major; G 440: Flute Quintet with cello concertante No. 4 in D major; G 441: Flute Quintet with cello concertante No. 5 in G major; G 442: Flute Quintet with cello concertante No. 6 in B-flat major; G 443: Quintet for flute, oboe & strings in C major
The second ("Langsam") is in F major; the fourth ("Nicht zu rasch") in D major. All are in 2/4 time except number 3, in 6/8, and number 4, in common time. The pieces are not straightforwardly folk songs; nor are their themes lifted from folk songs. Instead each is an entirely original composition which emulates the style of folk music.
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