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Romeo and Juliet, TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an Overture-Fantasy, and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on The Tempest and Hamlet as well.
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos, three of his symphonies and two of his ten operas, are among his most familiar works.
Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940.
Des'ree's voice spans from the low note of A 3 to the high note of D 5. [2] "Kissing You" is featured during Romeo + Juliet, directed by Baz Luhrmann, when Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) first meet at a ball at the Capulets' mansion; Des'ree also appears in the scene performing the song.
"Love Theme from Romeo and Juliet", also known as "A Time for Us", is an instrumental arranged by Henry Mancini (from Nino Rota's music written for Franco Zeffirelli's film of Romeo and Juliet, starring Leonard Whiting and Olivia Hussey). [3]
Armstrong was born in Shettleston, Glasgow, Scotland [1] [2]. He studied musical composition, violin and piano at the Royal Academy of Music from 1977 to 1981, where his teachers included Cornelius Cardew and Malcolm MacDonald [2] He was awarded the Charles Lucas prize and the Harvey Lohr scholarship for composition, the FTCL Fellowship in composition, and also won the GLAA Young Jazz Musician ...
Instead, they left Tchaikovsky facing a paradox. He reportedly did not care for program music, to the point of reproaching himself for writing the fantasy-overture Romeo and Juliet. Yet the notion of writing symphonies as purely intellectual patterns of chords, rhythms and modulations was at least equally abhorrent.
Record World called it a "compelling performance that's both beautiful and forceful", praising Knopfler's guitar playing and the "Dylanesque" vocals. [10] Ultimate Classic Rock critic Michael Gallucci rated "Romeo and Juliet" as Dire Straits' 3rd best song, saying that it "bridges Shakespeare, West Side Story and a modern rock 'n' roll love story where fame, not family, is keeping the young ...
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