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Among Antonello's portraits, it is among the most expressively animated. The subject, a young man, is drawn from a quite near point of view, with the master's usual skill in rendering detail. The work has been dated approximately to the early 1470s, based on the typical "zuccotto" headgear, a fashion more characteristic of 1460s Italy.
Portrait of a Man is an oil painting by the Italian Renaissance artist Antonello da Messina, dated to c. 1475–76, and now in the National Gallery, London. It was printed on the Italian 5,000 lire note issued from 1979 to 1983.
Pages in category "Renaissance portraits" The following 22 pages are in this category, out of 22 total. ... Male portraits by Antonello da Messina; Portrait of a Man ...
Portraits in the Renaissance era didn’t just hang on walls, but were often concealed behind painted panels, shutters, or contained in boxes. “Hidden Faces” at the Metropolitan Museum of Art ...
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
An Old Man and his Grandson (Italian: Ritratto di vecchio con nipote) is a ca. 1490 tempera painting by the Italian Renaissance artist Domenico Ghirlandaio. One of Ghirlandaio's best-known works, it is considered notable for its emotional poignancy. Its realism has been described as unique among the portraits of the Quattrocento. [1]
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