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Scottish rock band Big Country, which formed in 1981, has released nine studio albums, eighteen live albums, twenty-five compilation albums, one extended play (EP), and twenty-nine singles released on Mercury Records, Reprise Records, Vertigo Records and Cherry Red Records.
The Crossing is the debut album released by Scottish band Big Country in July 1983. The album reached #3 in the UK; overseas, it hit #4 in Canada on the RPM national Top Albums Chart and #18 in the US on the Billboard 200 in 1983.
The Seer saw Big Country return to the sweeping Scottish sound that had made them famous on The Crossing.It is sometimes considered to be the band's most overtly Celtic album, with many of the songs containing explicit or veiled references to Scottish history - for example, "Remembrance Day" deals with the Highland Clearances (in which thousands of Highlanders were relocated to British ...
[2] Caren Myers of Melody Maker was critical of the album and concluded there is "no place like the bin". She described Big Country as a band that "makes Lime Spiders look like The Rolling Stones" and Adamson as a "Celtic Springsteen wannabe". She felt the album was made up of a "series of insufferable bar-room boogies" and added, "This, we are ...
Peace in Our Time is the fourth studio album by the Scottish band Big Country, released in 1988. [4] Critical reception ... Big Country. Stuart Adamson – guitar ...
Driving to Damascus is the eighth studio album by Scottish rock band Big Country. It was released in 1999 as both a standard edition and a limited edition digipack, and with bonus tracks in 2002. It was released in 1999 as both a standard edition and a limited edition digipack, and with bonus tracks in 2002.
Why the Long Face is the seventh studio album by Scottish band Big Country, released in 1995.It was produced by Chris Sheldon and members of the band.. The album received a reissue as a deluxe four-disc box-set by Cherry Red Records in 2018.
After that, Big Country became a minor act, popping up in the lower echelons of the charts in the UK and Europe with the release of every subsequent album. [1] Only one of these, 1993's The Buffalo Skinners , received a major label release (via Chrysalis Records ), and was a return to form of sorts for the band, reaching the UK Top 25. [ 3 ]
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