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The 1960s were wild. In a good way, of course. It was the decade when thousands of Americans challenged democracy, fought for their freedom and equal rights, and rewrote established norms in every ...
Braided hairstyle popular with German women, in which the hair is braided and piled atop the head. [8] Half crown: Alternative and historic name for a semi-short taper. Half updo Popularized in the 1960s by sex icons like Brigitte Bardot, this women's hairstyle requires medium-length or longer hair. The hair is divided from the temples back and ...
Beehive styles of the early 1960s sometimes overlapped with bouffant styles, which also employed teasing to create hair volume; but generally speaking, the beehive effect was a rounded cone piled upwards from the top of the head, while the simple bouffant was a wider, puffier shape covering the ears at the sides.
The development of hair-styling products, particularly setting sprays, hair-oil and hair-cream, influenced the way hair was styled and the way people around the world wore their hair day to day. Women's hairstyles of the 1950s were in general less ornate and more informal than those of the 1940s, with a "natural" look being favoured, even if it ...
Marcelling is a hair styling technique in which hot curling tongs are used to induce a curl into the hair. [1] [2] Its appearance was similar to that of a finger wave but it is created using a different method. Marcelled hair was a popular style for women's hair in the 1920s, [2] often in conjunction with a bob cut. [2]
A finger wave is a method of setting hair into waves (curls) that was popular in the 1920s and early 1930s and again in the late 1990s in North America and Europe. Silver screen actresses such as Josephine Baker and Esther Phillips are credited with the original popularity of finger waves.
The style was in vogue for women once again in the 1940s. The men's version appeared in the 1950s and early 1960s, worn by early country, rock and roll, and movie stars such as Elvis Presley, Johnny Cash, Chuck Berry, Ritchie Valens, James Dean, and Tony Curtis, and enjoyed a renaissance in the mid 2000s. The style has been worn by men and ...
Jean Seberg also sported a pixie cut for Otto Preminger's Bonjour Tristesse (1958) and Jean-Luc Godard's Breathless (1960). [1] Further in the 1960s, the look was worn by actress Mia Farrow (notably in Rosemary's Baby in 1968), British model Twiggy , American model, actress, and socialite Edie Sedgwick , and Laugh-In (1968–73) star Goldie Hawn .