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On a guitar, mandolin, ukulele, or similar plucked instrument, the fingerboard appears flat and wide but may be slightly curved to form a cylindrical or conical surface of relatively large radius compared to the fingerboard width. The radius quoted in the specification of a string instrument is the radius of curvature of the fingerboard at the ...
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The smaller the fretboard radius, the more noticeably curved the fretboard is. Most modern guitars feature a 12" neck radius, while older guitars from the 1960s and 1970s usually feature a 6-8" neck radius. Pinching a string against a fret on the fretboard effectively shortens the vibrating length of the string, producing a higher pitch.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
[7] [8] All of Vaughan's guitars had a neck relief of approximately .012" at the 7th and 9th frets, and leveled out through the remainder of the fingerboard. The fingerboard radius of "Number One" when new would have been 7.25" like most Fender instruments made before the 1980s, [9] but after refretting the fingerboard multiple times the radius ...
The SG Standard features pearloid trapezoid fretboard inlays, as well as fretboard binding and inlaid pearl "Gibson" logo and crown; the mid-level SG Special features pearloid dot inlays and an inlaid pearl "Gibson" logo, without a crown. The Standard has a volume and a tone control for each individual pickup, and a three-way switch that allows ...
It was made from a carbon fibre/glass/epoxy composite material that is thinner than the paint finish. The same composite also comprised the fretboard material. [2] The exoskeleton supposedly provided the guitar with strength and rigidity, as well as increasing the guitar's sustain. It also possibly gave the added benefit of allowing a smaller ...
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
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