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Lord Byron (1788–1824) used multisyllabic rhymes in his satiric poem Don Juan. For example, he rhymes "intellectual" with "hen-peck'd you all". Ogden Nash (1902–1971) used multisyllabic rhymes in a comic, satirical way, as is common in traditional comic poetry. [4] For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with ...
[7] Myka 9 adds, "back in the day, freestyle was bust[ing] a rhyme about any random thing, and it was a written rhyme or something memorized". [6] Divine Styler says: "in the school I come from, freestyling was a non-conceptual written rhyme... and now they call freestyling off the top of the head, so the era I come from, it's a lot different". [8]
Eventually Smith and Busta produced the instrumental for the song using the sample, but Rhymes could not come up with any lyrics. However, seven months later, as Rhymes listened to the Sugarhill Gang's 1980 song "8th Wonder", he found new inspiration through the lyric "Woo-Hah! Got them all in check", which he went on to interpolate as part of ...
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"Gimme Some More" is a song by American rapper Busta Rhymes. It was released as the second single from his third studio album Extinction Level Event: The Final World Front on October 26, 1998, by Flipmode Entertainment and Elektra Records. The song was written by Rhymes and its producer DJ Scratch.
He says rap lyrics are made up of, "lines with four stressed beats, separated by other syllables that may vary in number and may include other stressed syllables. The strong beat of the accompaniment coincides with the stressed beats of the verse, and the rapper organizes the rhythms of the intervening syllables to provide variety and surprise ...
The first group to rap at high speeds on record were the Treacherous Three with the release of "New Rap Language" in 1980. [10] [14] Throughout the lyrics of the song, member Kool Moe Dee is referred to as the originator of the fast style: For MCs who bite. The fast-talking rhymes They're gonna feast So get ready to eat Moe Dee's the originator
Except for a few overblown performances and quasi-epic productions, It Ain't Safe No More finds Busta Rhymes with the same sure grip on his distinctive personality." [9] Joseph Patel from Blender felt that Rhymes's "animated antics border on sensory overload, but this is some of Busta’s best work, making him perhaps the greatest show in Rap ...
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