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Original cast in the Imperial Ballet's original production of Tchaikovsky's ballet The Nutcracker, December 1892 "Tchaikovsky was made for ballet," writes musicologist David Brown [4] Before him, musicologist Francis Maes writes, ballet music was written by specialists, such as Ludwig Minkus and Cesare Pugni, "who wrote nothing else and knew all the tricks of the trade."
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination.
Pyotr Ilyich Tchaikovsky [n 1] (/ tʃ aɪ ˈ k ɒ f s k i / chy-KOF-skee; [2] 7 May 1840 – 6 November 1893) [n 2] was a Russian composer during the Romantic period.He was the first Russian composer whose music would make a lasting impression internationally.
The 1977 film The Bad News Bears in Breaking Training uses a portion of Tchaikovsky's 1812 Overture. Also, the movie's theme song, James Rolleston's "Life is Lookin' Good," uses a variation of the music. Canadian progressive rock band Rush adopted the famous brass theme of 1812 Overture in their suite 2112, from their album of the same name ...
Hamlet, Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet.
Manfred is a "Symphony in Four Scenes" in B minor by Pyotr Ilyich Tchaikovsky, his Opus 58, but unnumbered.It was written between May and September 1885 to a program based upon the 1817 poem of the same name by Byron, coming after the composer's Fourth Symphony and before his Fifth.
As the music solidifies into large, slow syncopated chords, Tchaikovsky unleashes the musical equivalent of lightning bolts: two short fortissimo chords, each followed by a long measure of silence. As the music ebbs away, the woodwinds hint at the main melody, which is properly introduced by the strings at the Moderato con anima.
Tchaikovsky biographer and music writer David Brown has commented, "[The Concert Fantasia's] crippling weakness is that it contains not one really strong idea, yet its very original structure suffices to show that Tchaikovsky was concerned to fashion something more than a mere showpiece to gratify a virtuoso pianist or inflame a lionizing ...
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