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fl. late 15th – early 16th century: English Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range Robert de Févin: fl. late 15th–early 16th century: French
15th-century women musicians (3 C, 2 P) Pages in category "15th-century musicians" The following 4 pages are in this category, out of 4 total.
The 15th and 16th century masses had two kinds of sources that were used: monophonic (a single melody line) and polyphonic (multiple, independent melodic lines), with two main forms of elaboration, based on cantus firmus practice or, beginning some time around 1500, the new style of "pervasive imitation", in which composers would write music in ...
Medieval music generally refers the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. [1] The first and longest major era of Western classical music, medieval music includes composers of a variety of styles, often centered around a particular nationality or composition school. The lives of most ...
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The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...
Before Du Fay's time, the concept of a 'composer'—that is, a musician whose primary occupation is composition—was largely unfamiliar in Europe. The emergence of musicians who focused on composition above other musical endeavors arose in the 15th century, and was exemplified by Du Fay. [44]
15th-century musicians (4 C, 4 P) R. Renaissance music (9 C, 156 P) S. 15th-century songs (1 C, 12 P) Pages in category "15th century in music" The following 10 pages ...