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Hephaestus had his own palace on Olympus, containing his workshop with anvil and twenty bellows that worked at his bidding. [10] Hephaestus crafted much of the magnificent equipment of the gods, and almost any finely wrought metalwork imbued with powers that appears in Greek myth is said to have been forged by Hephaestus.
The Romans identified Vulcan with the Greek smith-god Hephaestus. [16] Vulcan became associated like his Greek counterpart with the constructive use of fire in metalworking. A fragment of a Greek pot showing Hephaestus found at the Volcanal has been dated to the 6th century BC, suggesting that the two gods were already associated at this date. [12]
Sesshō-seki (also Killing Stone), a stone that kills anyone who comes into contact with it. (Japanese mythology) Stone of Giramphiel, a stone described in Diu Crône. Sir Gawain wins from the knight Fimbeus and it offers him protection against the fiery breath of dragons and the magic of the sorcerer Laamorz. (Arthurian legend)
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
Athena eventually used her spear and shield, banging them together to give her father a headache. Soon, he could not take his headache anymore and had the smith god Hephaestus, one of his sister-wife Hera's sons, cut his head open to let out whatever was in there on the river Trito's banks. Athena emerged from Zeus's mind full grown, wearing ...
The aegis on the Lemnian Athena of Phidias, represented by a cast at the Pushkin Museum. The aegis (/ ˈ iː dʒ ɪ s / EE-jis; [1] Ancient Greek: αἰγίς aigís), as stated in the Iliad, is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon.
19th century engraving of the Colossus of Rhodes. Ancient Greek literary sources claim that among the many deities worshipped by a typical Greek city-state (sing. polis, pl. poleis), one consistently held unique status as founding patron and protector of the polis, its citizens, governance and territories, as evidenced by the city's founding myth, and by high levels of investment in the deity ...
The stanzas with shorter lines describe the making of the shield by the god Hephaestus, and report the scenes that Achilles' mother, the Nereid Thetis, expects to find on the shield and which Hephaestus, in Auden's version, does not make. Thetis expects to find scenes of happiness and peace like those described by Homer.
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