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Many historical-medieval faiths also made use of them, including the Roman, ... In that case, it was the altar stone that was considered liturgically to be the altar.
The altar (illustration from Brockhaus and Efron Jewish Encyclopedia (1906–1913)) The description of the altar in Solomon's Temple gives it larger dimensions (2 Chronicles 4:1. Comp. 1 Kings 8:22, 8:64; 9:25), and was made wholly of brass, covering a structure of stone or earth. Because this altar was larger than the one used in the ...
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2]
The Altar Stone, the largest of the bluestones used to build Stonehenge, lies at the heart of the ancient monument in southern England. ... examined Neolithic-age stones at two well-known historic ...
Detailed image of the central piece of altar. As in almost all cases of Cranach Post-Reformation altarpieces, there is also a great deal of Christocentric Lutheran symbolism, Christian allegory and Protestant theological concept of Five solas depicted in the Weimar altarpiece, with each image referring to salvation alone in Jesus, emphasizing the sacrifice of Jesus in Solus Christus.
The rite of Dedication of a church and of the altar points out that the celebration of the Eucharist is "the principal and the most ancient part of the whole rite, because the celebration of the eucharist is in the closest harmony with the rite of the dedication of a church", and "the eucharist, which sanctifies the hearts of those who receive ...
In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with ...
In 2008 a case for restitution was lodged in Germany by the heirs of the Jewish art dealers over the pieces sold in 1934. In March 2014 the Limbach Commission, an advisory body to the German government, concluded that the treasure should not be handed over as the case did not meet the criteria defining a forced sale due to Nazi persecution. [5]