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[9] Moreover, Guarneri's instruments were recognized by a world-class soloist three decades before Stradivari's were likewise championed; by the 1750s, Gaetano Pugnani is known to have acquired and preferred a Giuseppe Guarneri del Gesù violin, but it is not until the 1780s that his pupil, Giovanni Battista Viotti, became an advocate of ...
In 1690, Giuseppe married young Barbara Franchi, a parishioner of Sant’ Agata, who then joined the Guarneri family in the house on Piazza San Domenico. [1] In the meantime the health of Andrea seems to have further declined, thereby increasing his son's responsibility in the running of the family workshop.
The film shows Giuseppe getting killed on a subway track. The inspiration for the scene was a kid named Billy who was "riding" trains when he was killed. [4] The real Giuseppe Ruggeria is a career criminal [6] who was deported to Milan. [4] Montiel describes the real Giuseppe as being like a cat.
Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [1] Il Cannone is also known by the variants Il Cannone del Gesù, and the Cannon, often appended with Guarneri del Gesù, the Guarneri trademark.
The Guarneri (/ ɡ w ɑːr ˈ n ɛər i /, [1] [2] UK also /-ˈ n ɪər-/, [3] Italian: [ɡwarˈnɛːri]), often referred to in the Latinized form Guarnerius, is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families.
The Lord Wilton Guarnerius, sometimes called the ex-Yehudi Menuhin, [1] is an antique and valuable violin fabricated by Italian luthier Bartolomeo Giuseppe "del Gesù" Guarneri (1698–1744), usually called Guarneri del Gesù. The violin was made in 1742 in the city of Cremona. [2]
Born Giuseppe Desa, he was said to have been remarkably unclever, but was recorded by many witnesses during his life as prone to miraculous levitation and intense ecstasies. The film begins with Giuseppe (Maximilian Schell) spending his final days at home with his mother (Lea Padovani). Due to his slow wits, she has kept him in school despite ...
Catarina Guarneri (c. 1699 – c. 1748), also known as Katarina Rota prior to marriage, was the wife of luthier Giuseppe Guarneri, and a suspected luthier in her own right. Accounts handed down from Carlo Bergonzi II, the grandson of Giuseppe Guarneri, provide evidence that Catarina Guarneri assisted her husband in his work.
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