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[6] [7] [8] Quizlet's blog, written mostly by Andrew in the earlier days of the company, claims it had reached 50,000 registered users in 252 days online. [9] In the following two years, Quizlet reached its 1,000,000th registered user. [10] Until 2011, Quizlet shared staff and financial resources with the Collectors Weekly website. [11]
If It Don't Kill You, It Just Makes You Stronger, a 1989 album by Bruce Willis; What Doesn't Kill You... (Candiria album), 2004 Ono što te ne ubije, to te osakati ('The thing that does not kill you, makes you stultified'), a 2004 album by Goribor
In Love and War is a 1996 romantic drama film based on the book, Hemingway in Love and War by Henry S. Villard and James Nagel. The film stars Sandra Bullock, Chris O'Donnell, Mackenzie Astin, and Margot Steinberg. Its action takes place during the First World War and is based on the wartime experiences of the writer Ernest Hemingway.
"Make love, not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War , but has been invoked in other anti-war contexts since, around the world.
Nietzsche develops his idea of spiritualizing the passions through examining the concepts of love and enmity. Love, he claims, is actually the "spiritualization of sensuality." Enmity, on the other hand, spiritualizes the state of having enemies since having opponents helps us to define and strengthen our own positions.
"What does not kill you makes you stronger," Xinhua said in a commentary on the U.S. tariffs. "It seems the famous quote applies to China's technology companies." Beijing knew this round of ...
"To Lucasta, Going to the Warres" is a 1649 poem by Richard Lovelace.It was published in the collection Lucasta by Lovelace of that year. The initial poems were addressed to Lucasta, not clearly identified with any real-life woman, under the titles "Going beyond the Seas" and "Going to the Warres", on a chivalrous note.
Days and Nights of Love and War was a transitional book between Galeano's earlier journalistic work and his later more literary output; it was the first of a series of works (culminating in his Memory of Fire trilogy) which established his reputation as a writer. [2]