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The painting was modified by Pollock after it was originally created. During January 1949, it was being shown in a solo Pollock show at the Betty Parsons gallery. It was from here that Alfonso A. Ossorio decided to purchase a "paint drip" composition; he chose No. 5, 1948 and paid $1,500. It was the only canvas sold from the show. [4]
Pages for logged out editors learn more. Contributions; ... Print/export Download as PDF; ... Fabrics in this list include fabrics that are woven, ...
Mural is a largely abstract work with the suggestion of several human figures walking, or possibly birds, or letters and numbers, in broad swirls of black and white. It combines influences from artists such as Thomas Hart Benton, Albert Pinkham Ryder and El Greco, and Mexican mural artists such as David Alfaro Siqueiros.
Renowned art collector and supporter Ben Heller [5] acquired the painting in 1957 a year after Jackson Pollock died for a reported $32,000. [6] Heller was friends with Pollock and patronized him and many other American artists during his lifetime. [7] Blue Poles hung in the living room of Heller's 10th floor New York apartment on Central Park ...
One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...
Media in category "Paintings by Jackson Pollock" The following 2 files are in this category, out of 2 total. Blue Poles (Jackson Pollock painting).jpg 485 × 206; 55 KB
Number 17A is an abstract expressionist painting by American painter Jackson Pollock, from 1948. The painting is oil paint on fiberboard and is a drip painting, created by splashing paint onto a horizontal surface. It was painted a year after Jackson Pollock introduced his drip technique.
He then began a doctorate in art history under Christopher Gray with a thesis on the early years of Jackson Pollock, which he completed in 1965. [citation needed] The findings culminated in a catalog for the Pollock retrospective in the Museum of Modern Art in 1967, which summarized the research from the dissertation. [5]