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The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful, a fairy's child; Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head,
Euphuism is an elegant literary style that was briefly in fashion during the Elizabethan era. The euphuism style employed the frequent use of alliteration, antithesis, balance, and simile, with references to nature and mythological tales.
A medieval silver cross pendant inscribed with the letters AG LA. AGLA (אגלא) is a magic word that appears in some charms.Its meaning is unsettled, but is widely reputed to be a noṭariqōn or kabbalistic acronym for Hebrew: אַתָּה גִּבּוֹר לְעוֹלָם אֲדֹנָי, romanized: ʾAtā gībōr ləʿōlām ʾĂḏōnāy, "Thou, O Lord, art mighty forever."
John Lyly was born in Kent, England, c. 1553–4, the eldest son of Peter Lyly and his wife, Jane Burgh (or Brough), of Burgh Hall in the North Riding of Yorkshire.He was probably born either in Rochester, where his father is recorded as a notary public in 1550, or in Canterbury, where his father was the Registrar for the Archbishop, Matthew Parker, and where the births of his siblings are ...
"Auguries of Innocence" is a poem by William Blake, from a notebook of his known as the Pickering Manuscript. [1] It is assumed to have been written in 1803, but was not published until 1863 in the companion volume to Alexander Gilchrist's biography of Blake.
Lynes then distinguished the sub-levels of the intellectual brow and divided the middlebrow into the upper-middlebrow and the lower-middlebrow. The upper-middlebrow patronage of the arts makes possible the cultural activities of the highbrow stratum, such as museums, symphonic orchestras , opera companies, and publishing houses, which are ...
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...
Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").