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Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art .
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Viking art avoided naturalism, favouring stylised animal motifs to create its ornamental patterns. Ribbon-interlace was important and plant motifs became fashionable in the tenth and eleventh centuries. [45] Most Scottish artefacts come from 130 "pagan" burials in the north and west from the mid-ninth to the mid-tenth centuries. [46]
Scottish genre art is the depiction of everyday life in Scotland, or by Scottish artists, emulating the genre art of Netherlands painters of the sixteenth and seventeenth centuries. Common themes included markets, domestic settings, interiors, parties, inn scenes, and street scenes.
The art that emerged from Scotland during this period is characterised by its diversity, rather than by one particular style or dominant trend. GENERATION was delivered as a partnership between the National Galleries of Scotland , Glasgow Life and Creative Scotland and is part of Culture 2014, the Glasgow 2014 Cultural Programme.
John Lee (1779–1859) by John Watson Gordon. Henry Raeburn (1756–1823) was the first significant artist to pursue his entire career in Scotland. Born in Edinburgh and returning there after a trip to Italy in 1786, he is most famous for his intimate portraits of leading figures in Scottish life, going beyond the aristocracy to lawyers, doctors, professors, writers and ministers, [8] adding ...
George Bain (1881–1968), art teacher whose writing revived interest in Celtic and Insular art; James Ballantine (1806–1877), artist and author; Penelope Beaton (1886–1963), painter; Jemima Blackburn (1823–1909), painter and illustrator; John Blair (c. 1849–1934), painter; Muirhead Bone (1876–1953), etcher; Phyllis Bone (1894–1972 ...
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