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The book contains eight essays on the history of science fiction, eleven thematic essays on how different topics relate to science fiction, and 250 entries on various science fiction subgenres, authors, works, and motifs. It received positive reviews, with critics finding it to be well-researched and useful for students in particular.
Several stories within the One Thousand and One Nights (Arabian Nights, 8th–10th centuries CE) also feature science fiction elements.One example is "The Adventures of Bulukiya", where the protagonist Bulukiya's quest for the herb of immortality leads him to explore the seas, journey to the Garden of Eden and to Jahannam (Islamic hell), and travel across the cosmos to different worlds much ...
The Domination of the Draka (also called the Draka series or the Draka saga) is a dystopian science fiction alternate history series by American author S. M. Stirling. [1] [2] The series comprises a main trilogy of novels as well as one crossover novel set after the original and a book of short stories.
American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...
The genesis for the site was the Oxford English Dictionary's Science Fiction Citations Project, begun in 2001. Sheidlower, an editor-at-large for the OED, used crowdsourcing to collect words and their history from science fiction. The project resulted in the Hugo Award-winning book Brave New Words. [1]
In his books The Rise and Fall of English and English after the Fall, Scholes sought to critically evaluate the status of English as a field of study. He was a fierce proponent of abandoning a restrictive definition of literature and reorientating the study of English around the concept of 'Textuality'.
In science fiction set in the near future, modern currency names are often used. The selection of familiar currencies such as the dollar or yen, particularly in the far future, may be used to make suggestions about the way history unfolded; however, it would seem strange for aliens to use a recognizable currency.
The book starts with a parallel chronology of significant events in the fields of science fiction stories, magazines, novels, movies/TV/radio, and fandom, from 1805 to 1976. The book's thematic sections contain introductions by science fiction authors, and extensive bibliographies of science fiction works featuring each theme.