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In 2002, Termite Art formed a new division, the Format Farm. [4] On March 22, 2004, the company spun-off from Lions Gate and renamed as Creative Differences Productions, Inc., the company expanded into film production in 2005 with Werner Herzog's Grizzly Man, and followed this up in 2007 with the Oscar nominated Encounters at the End of the ...
From 2010 to 2014 Molesworth was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions Leap Before You Look: Black Mountain College 1933–1957, [6] Dance/Draw, [7] and This Will Have Been: Art, Love & Politics in the 1980s.
One of Farber's best-known essays is "White Elephant Art vs. Termite Art", [16] which originally appeared in Film Culture, number 27 (Winter 1962–63). [11] In it, he writes on the virtues [ 17 ] of "termite art" and the excesses of "white elephant art" and champions the B film and under-appreciated auteurs , which he felt were able, termite ...
Photorealist art, once dismissed as simplistic, gets reconsidered in a sprawling MOCA exhibition in downtown L.A. that includes the premiere of provocative work centered on the Kennedy assassination.
MOCA's permanent collection exhibitions show how, when the museum was founded in the late 1970s, it represented something wholly new: the beginning of L.A. art's full-scale institutionalization.
The company was established in July 1997 as Lions Gate Television, Inc. with the establishment of Lionsgate Films. In June 1998, it acquired documentary/reality production company Termite Art Productions but was itself acquired by Erik Nelson in September 2004 and renamed Creative Differences. [2] [3] [4]
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