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Roses Are Red. "Roses Are Red" is the name of a love poem and children's rhyme with Roud Folk Song Index number 19798. [1] It has become a cliché for Valentine's Day, and has spawned multiple humorous and parodic variants. A modern standard version is: [2]
Common Blue Violet (Viola sororia) color variant. Viola sororia is a short-stemmed, herbaceous perennial plant that grows in well-drained and shady habitats. [ 5 ] This 15–25 centimeters (6–10 in) wide violet has glossy, heart-shaped leaves and are topped with purple flowers with white throats. The lower three petals are hairy and the stem ...
In the Afghan tradition, love is often expressed through poetry. A new generation of budding poets such as Ramin Mazhar and Mahtab Sahel express themselves through poetry, using Valentine's Day as a theme to voice concerns about the erosion of freedoms. In their political commentary, they defy fear by saying "I kiss you amid the Taliban". [107 ...
A blue flower (German: Blaue Blume) was a central symbol of inspiration for the Romanticism movement, and remains an enduring motif in Western art today. [1] It stands for desire, love, and the metaphysical striving for the infinite and unreachable. It symbolizes hope and the beauty of things.
Violets, symbol of Sapphic love. Violets and their color became a special code used by lesbians and bisexual women. [ 27 ] [ 28 ] [ 29 ] The symbolism of the flower derives from several fragments of poems by Sappho in which she describes a lover wearing garlands or a crown with violets.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
Once, she had a sprig of thyme but a gardener’s son came with a red rose, a blue violet and some bitter rue. He stole the thyme and left only rue, with its "running root", growing in its place. Her parents were angry but she will cut the head off the rose and plant a willow for all to see.
Lines. 8. " Music, When Soft Voices Die " is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2][3]