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O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. Romeo: [Aside] Shall I hear more, or shall I speak at this? Juliet: 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? It is nor hand, nor foot,
Sonnet 131 is a sonnet written by William Shakespeare and was first published in a 1609 quarto edition titled Shakespeare's sonnets. [2] [3] It is a part of the Dark Lady sequence (consisting of sonnets 127–52), which are addressed to an unknown woman usually assumed to possess a dark complexion.
O Brother, Where Art Thou? is a 2000 satirical comedy-drama musical film written, produced, co-edited, and directed by Joel and Ethan Coen. It stars George Clooney , John Turturro , and Tim Blake Nelson , with Charles Durning , Michael Badalucco , John Goodman and Holly Hunter in supporting roles.
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. ... Romeo, Romeo, wherefore art thou ...
Romeo and Juliet fight time to make their love last forever. In the end, the only way they seem to defeat time is through a death that makes them immortal through art. [65] Time is also connected to the theme of light and dark. In Shakespeare's day, plays were most often performed at noon or in the afternoon in broad daylight.
I have of late, (but wherefore I know not) lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition; that this goodly frame the earth, seems to me a sterile promontory; this most excellent canopy the air, look you, this brave o'er hanging firmament, this majestical roof, fretted with golden fire ...
While Shakespeare's versification maintains the English sonnet form, Shakespeare often rhetorically alludes to the form of Petrarchan sonnets with an octave (two quatrains) followed by a sestet (six lines), between which a "turn" or volta occurs, which signals a change in the tone, mood, or stance of the poem. The first line exemplifies a ...
In the preceding Sonnet 100, the poet literally asks, "Where art thou, Muse, that thou forget'st so long / to speak of that which gives thee all thy might?" (Sonnet 100, 1–2), and then implores, "Return, forgetful Muse, and straight redeem" (Sonnet 100, 5) itself/the poet, by inspiring him his pen with "both skill and argument," (Sonnet 100, 8).