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Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden 's ' Stop All the Clocks ' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation.
The work begins with the poet asking what ghost beckons him onward with its "bleeding bosom gor'd"; it is the spirit of an unnamed woman (the "lady" of the title) who acted "a Roman's part" (i.e., committed suicide) due to loving "too well." The speaker eulogizes her sacrifice and then for several lines berates and curses her uncle (who is also ...
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
In the novel The Tragedy of the Korosko (1898), by Arthur Conan Doyle, characters quote the poem by citing Canto LIV of In Memoriam: "Oh yet we trust that somehow good / will be the final goal of ill"; and by citing Canto LV: I falter where I firmly trod"; whilst another character says that Lord Tennyson's In Memoriam is "the grandest and the ...
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma, in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
"Music, When Soft Voices Die" is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2] [3]
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The poem is referenced in the epilogue of the novel Fevre Dream by George R. R. Martin. The poem is also featured in John Wyndham's post-apocalyptic novel The Day of the Triffids, where it occurs when a blinded pianist commits suicide. The first line is a sub-theme to the "Dark Autumn" episode of Midsomer Murders.
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