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[5] [6] The follow-up album La Gran Señora en Vivo was released on November 22, 2010, which contains a DVD of her performing the album live at the Nokia Theatre in Los Angeles, California. [7] The first track, "Yo Soy una Mujer", was first recorded by Cuban singer Maggie Carles on her album Canto Amo Sueno (1998). [8]
"Que me quiten lo bailao" (Spanish pronunciation: [ke me ˈkiten lo βajˈlao], literally "Let them take away from me what I've danced", a colloquialism that means "They can't take the fun I've had away from me") is a song recorded by Spanish singer Lucía Pérez, written by Rafael Artesero.
Alza los ojos y mira, Llorona, allá en la mansión oscura una estrella que fulgura, Llorona, y tristemente suspira, es Venus que se retira, Llorona, celosa de tu hermosura. ¡Ay de mí!, Llorona, Llorona, Llorona, que sí, que no. ¡Ay de mí!, Llorona, Llorona, Llorona, que sí, que no. La luz que me alumbraba, Llorona, en tinieblas me dejó ...
Alma, Born in 2011. View this post on Instagram. A post shared by Gal Gadot (@gal_gadot) Gadot was pregnant with her eldest daughter, Alma, when she was 25 years old. ... Maya, Born in 2017.
Lo blanco y lo negro (English title: The white and black) is a Mexican telenovela produced by Ernesto Alonso for Televisa in 1989. [ 1 ] Ernesto Alonso starred as protagonist, while together Lupita D'Alessio and Elsa Aguirre starred as stellar performances.
"La Noche" (translation "the night") is a salsa song written and performed by the Colombian singer Joe Arroyo. [1] Billboard called it a "groundbreaking song" that made Arroyo "a groundbreaking force in Colombian salsa."
La Xtabay (Spanish pronunciation: [la iʃ.taˈβaj]) is a Yucatec Maya folklore tale about a demonic femme fatale who preys upon men in the Yucatán Peninsula. [1] She is said to dwell in the forest to lure men to their deaths with her incomparable beauty. [ 2 ]
Canciones con alma (Songs with Soul) is a studio album by Mexican singer Flor Silvestre, released in 1972 by Musart Records. It is Flor Silvestre's second bolero album. Critical reception