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Brahms’ experience in writing his Clarinet Quintet three years earlier led him to compose the sonatas for clarinet and piano because he preferred the sound over that of clarinet with strings. [6] The keys of the sonatas—F minor and E ♭ major—correspond to the keys of the two clarinet concertos which Weber composed more than eighty years ...
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900)
Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms Trio for Clarinet, Cello and Piano in A minor, Op. 114 Frank Miller, cello, Mieczyslaw Horszowski, piano 1950, DL 9732 / 7524 Corelli: Giga (from Recorder Sonata in C major, Op. 5 No.9) (transcr. Kell) Brooks Smith, piano 1957, DL 9926 Debussy
Johannes Brahms: Sonatas Op. 120 Number 1 in F minor and Number 2 in E-flat major for clarinet and piano with Jon Manasse, clarinet: Harmonia Mundi: 8 January 2008: HMU907430 (CD) 10. Robert Schumann: Carnaval, Op. 9; Papillons, Op. 2; Piano Sonata No. 2 in G minor, Op. 22: Harmonia Mundi: 4 March 2014: HMU907503 (CD)
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
After Brahms listened to Mühlfeld play Weber's Clarinet Concerto No. 1 in F Minor, Mozart's Clarinet Quintet and some of Ludwig Spohr's works, his sound quality and musicianship inspired Brahms to start composing again. Brahms later wrote letters to his old friend Clara Schumann about the skill level he saw in this clarinettist's playing ...
The work, "often called the crown of his chamber music," [4] began life as a string quintet (completed in 1862 and scored for two violins, viola, and two cellos). Brahms transcribed the quintet into a sonata for two pianos (in which form Brahms and Carl Tausig performed it) before giving it its final form. Brahms destroyed the original version ...
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