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Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic.This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother.
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
Remedia Amoris (also known as Love's Remedy or The Cure for Love; c. 2 AD) is an 814-line poem in Latin by Roman poet Ovid. In this companion poem to The Art of Love , Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone.
The poem had an important legacy for later writers. Robert Henryson 's Scots poem The Testament of Cresseid imagined a rambunctious fate for Criseyde not given by Chaucer. In historical editions of the English Troilus and Criseyde , Henryson's distinct and separate work was sometimes included without accreditation as an "epilogue" to Chaucer's ...
Idylls of the King, published between 1859 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson (1809–1892; Poet Laureate from 1850) which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom.
In the fifth cycle, the first and last poems (45 and 60), on the contrasting themes of love promised and love spurned, are linked by the mention of Libyan lions. In the same cycle, 47 (the shabby treatment of Veranius and Fabullus by Piso) is linked to 58 and 59 (the moral degradation of Lesbia) by the theme of cadging for dinner and the words ...
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The poem most notably introduced the love affair between Tatius and Tarpeia. This was used because of Varro's addition of Tarpeia being a Vestal Virgin. Since Tarpeia was a Vestal Virgin, love (and therefore sexual desire) could be used as foreshadowing Tarpeia's greed and betrayal to the city of Rome. [9]