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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
Other arrangements for piano include: Franz Liszt's transcription of the Wedding March and Dance of the Elves, S410; Sigismond Thalberg's arrangement of the Scherzo; Moritz Moszkowski's arrangement of the Nocturne; and Sergei Rachmaninoff's arrangement of the Scherzo. There is a multitude of other arrangements for piano and for other instruments.
Op. 61, A Midsummer Night's Dream, incidental music for soloists, female chorus and orchestra (1842) (MWV M 13) – Scherzo – Notturno – Wedding March; Op. 62, Songs Without Words for piano, Book V (1842/44) No. 1 Andante espressivo in G major (MWV U 185) No. 2 Allegro con fuoco in B-flat major (MWV U 181)
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Sousa holding a copy of the sheet music for his march "The Invincible Eagle" John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932.
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