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The Cuban bolero dance originated in Santiago de Cuba in the last quarter of the 19th century; [13] it does not owe its origin to the Spanish music and song of the same name. [14] In the 19th century there grew up in Santiago de Cuba a group of itinerant musicians who moved around earning their living by singing and playing the guitar.
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres , derived from the Spanish guitar .
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
The original Cuban and the ballroom cha-cha-cha count is "one, two, three, cha-cha", or "one, two, three, four-and." [10] An incorrect "street version" comes about because many social dancers count "one, two, cha-cha-cha" and thus shift the timing of the dance by a full beat of music. Note that the dance known as Salsa is the result of a ...
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based coros de clave.
The result of the meeting of European and African cultures is that most Cuban popular music is creolized. This creolization of Cuban life has been happening for a long time, and by the 20th century, elements of African belief, music and dance were well integrated into popular and folk forms. Banrarra Afro-Cuban dance troupe
According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
The prototype independent couples dance was the waltz (early 19th century Vals in Cuba). The first creole dance form in Cuba known for certain to be danced by independent couples was the danzón. If the guaracha is an earlier example, this would be interesting from a dance history point of view.