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Darke’s argument that Western Gothic art was borrowed directly from Islamic art has been criticized for ignoring cross-cultural influences in Islamic art itself, which make it difficult to determine which architectural elements were created by whom in a strictly linear evaluation. [3]
The Islamic world also influenced other aspects of medieval European culture, partly by original innovations made during the Islamic Golden Age, including various fields such as the arts, agriculture, alchemy, music, pottery, etc. Many Arabic loanwords in Western European languages, including English, mostly via Old French, date from this ...
Orientalist tendencies in Western art have a long history. Oriental scenes may be found in medieval and Renaissance art, and Islamic art has itself had a profound and formative influence on Western artistic output. Oriental subject matter further proliferated in the 19th century, in step with Western colonialism in Africa and Asia.
Western culture continued to develop during the Middle Ages as reforms triggered by the medieval renaissances, the influence of the Islamic world via Al-Andalus and Sicily (including the transfer of technology from the East, and Latin translations of Arabic texts on science and philosophy by Greek and Hellenic-influenced Islamic philosophers ...
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
Islamic art began with artists and craftsmen mostly trained in Byzantine styles, and though figurative content was greatly reduced, Byzantine decorative styles remained a great influence on Islamic art, and Byzantine artists continued to be imported for important works for some time, especially for mosaics.
Oleg Grabar (1929–2011) – Art historian and archeologist. Ruba Kana'an – Specialist in Islamic art, the urban histories of pre-modern Muslim societies, and the interface between art and law in Muslim contexts; Amy Landau – Associate Curator of Islamic Art and Manuscripts at the Walters Art Museum
Islamic calligraphy has also displayed figurative themes. Examples of this are anthropomorphic and zoomorphic calligrams. [40] Islamic calligraphy forms evolved, especially in the Ottoman period, to fulfill a function similar to figurative art. [41] When on paper, Islamic calligraphy is often seen with elaborate frames of Ottoman illumination. [41]