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Darke’s argument that Western Gothic art was borrowed directly from Islamic art has been criticized for ignoring cross-cultural influences in Islamic art itself, which make it difficult to determine which architectural elements were created by whom in a strictly linear evaluation. [3]
The Islamic world also influenced other aspects of medieval European culture, partly by original innovations made during the Islamic Golden Age, including various fields such as the arts, agriculture, alchemy, music, pottery, etc. Many Arabic loanwords in Western European languages, including English, mostly via Old French, date from this ...
Orientalist tendencies in Western art have a long history. Oriental scenes may be found in medieval and Renaissance art, and Islamic art has itself had a profound and formative influence on Western artistic output. Oriental subject matter further proliferated in the 19th century, in step with Western colonialism in Africa and Asia.
Western culture continued to develop during the Middle Ages as reforms triggered by the medieval renaissances, the influence of the Islamic world via Al-Andalus and Sicily (including the transfer of technology from the East, and Latin translations of Arabic texts on science and philosophy by Greek and Hellenic-influenced Islamic philosophers ...
Islamic decoration and craftsmanship had a significant influence on Western art when Venetian merchants brought goods of many types back to Italy from the 14th century onwards. [37] The tessellations of zellij tilework in the Alhambra of Granada were also an important source of inspiration for the work of 20th-century Dutch artist M. C. Escher.
Oleg Grabar (1929–2011) – Art historian and archeologist. Ruba Kana'an – Specialist in Islamic art, the urban histories of pre-modern Muslim societies, and the interface between art and law in Muslim contexts; Amy Landau – Associate Curator of Islamic Art and Manuscripts at the Walters Art Museum
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The exterior of the Kaaba in Mecca was already before Islam "covered on the outside with multi-coloured textile hangings", [1] very likely including embroidery as their modern Islamic equivalents often have. Muhammad objected to animal designs, perhaps embroidered, he saw on cushions when visiting his wife Aisha's house.