Search results
Results from the WOW.Com Content Network
Christ in the winepress appears in the 14th century poetry of English Benedictine John Lydgate, [28] and the metaphor is used by two important English 17th-century poets. One of the best known poems of the Anglican Vicar George Herbert is The Agonie , included in The Temple (1633), where the second stanza (of three) is an extended conceit on ...
Butlin, and nearly all subsequent scholars, have rejected this, as much commentary has centered upon Blake's use of similar images to frame the sequence. Butlin instead rearranges the "original" sequence as 1-2-4-5-3-6, moving The Flight of Moloch to second to last, so that it matches the order of corresponding verses in Milton's poem. [5]
Christ I (also known as Christ A or (The) Advent Lyrics) is a fragmentary collection of Old English poems on the coming of the Lord, preserved in the Exeter Book.In its present state, the poem comprises 439 lines in twelve distinct sections.
Jesus Christ the Apple Tree lyrics in an 1897 republication of 1797 printing Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree ) is a poem, possibly intended for use as a carol , written in the 18th century.
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
Cento Vergilianus de laudibus Christi (Latin: [ˈkɛntoː wɛrɡɪlɪˈaːnʊs deː ˈlau̯dɪbʊs ˈkʰriːstiː]; A Virgilian Cento Concerning the Glory of Christ) [nb 1] is a Latin poem arranged by Faltonia Betitia Proba (c. AD 352–384) after her conversion to Christianity.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...