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The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffito scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]
Alexander is mentioned in the Zoroastrian Middle Persian work Arda Wiraz Nāmag as gizistag aleksandar ī hrōmāyīg, literally "Alexander the accursed, the Roman", [1] [2] [3] due to his conquest of the Achaemenid Persian Empire and the burning of its ceremonial capital Persepolis, which was holding the sacred texts of Zoroastrianism in its Royal Archives.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Click through to see depictions of Jesus throughout history: The discovery came after researchers evaluated drawings found in various archaeological sites in Israel.
By the 6th century the bearded depiction of Jesus had become standard in the East, though the West, especially in northern Europe, continued to mix bearded and unbearded depictions for several centuries. The depiction with a longish face, long straight brown hair parted in the middle, and almond shaped eyes shows consistency from the 6th ...
Cultural depictions of Alexander the Great, King of Macedonia (356–323 BCE, reigned 336–323 BCE). Subcategories.
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There is evidence to suggest that orally transmitted legends about Alexander the Great found their way to the Quran. [26] In the story of Dhu al-Qarnayn, "The Two-Horned One" (chapter al-Kahf, verse 83–94), Dhu al-Qarnayn is identified by most Western and traditional Muslim scholars as a reference to Alexander the Great. [27] [28] [29]