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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
[75] [76] [78] For Aquinas, at the Last Supper Christ made the promise to be present in the sacrament of the Eucharist, and to be with those who partake in it, as he was with his disciples at the Last Supper. [79] John Calvin believed only in the two sacraments of Baptism and the "Lord's Supper" (i.e., Eucharist). Thus, his analysis of the ...
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3] The Last Supper was depicted both in the Eastern and Western ...
The Cenacle (from the Latin cenaculum, "dining room"), also known as the Upper Room (from the Koine Greek anagaion and hyperōion, both meaning "upper room"), is a room in Mount Zion in Jerusalem, just outside the Old City walls, traditionally held to be the site of the Last Supper, the final meal that, in the Gospel accounts, Jesus held with the apostles.
Altarpiece of the Holy Sacrament or Triptych of the Last Supper is a 1464–1468 dated folding triptych with at least five panel paintings attributed to the Flemish painter Dieric Bouts, now reassembled and held at its location of origin in the eastern choir chapel of St. Peter's Church, Leuven, Belgium.
The Last Supper. Painting by Philippe de Champaigne (1602-1674) in the Louvre Museum, Paris. Credit - Leemage/Corbis—Getty Images. I t’s the first Friday the 13th of 2024, undoubtedly seen as ...
The painting was also exposed to the steam and smoke from the convent's kitchen and from candles used in the refectory itself. [12] By 1582, it was recorded that The Last Supper was "in a state of total ruin." [12] Around 1652, a door was cut into the refectory wall, destroying the area in which Jesus's feet were depicted. [13]
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
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