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Decorative patterns adorn all surfaces in Rajasthan. Interiors of homes are painted with floral motifs; similar bindi (dotted) designs are seen on garments. The clipped camel is unique to Rajasthan. In this, patterns are imprinted on the hide of the camel, taken place during the Pushkar and Nagaur festivals by the Rabari caste. [4]
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
In 19s, [clarification needed] there were no factories or production outlets for woollen or cotton blankets in much of India. Unused or worn pieces of cloths like a piece of a shirt, sari and other clothes, were collected over time and with a design in mind to make a good quilt, women sew these pieces of cloth together, after cutting them into different shapes.
In historical times, Hopi created ollas, dough bowls, and food bowls of different sizes for daily use, but they also made more elaborate ceremonial mugs, jugs, ladles, seed jars and those vessels for ritual use, and these were usually finished with polished surfaces and decorated with black painted designs. At the turn of the 20th century, Hopi ...
The thick handspun yarns and synthetic dyes are typical of pieces made during the transition from blanket weaving to rug weaving, when more weavings were sold to outsiders. Commerce expanded after the Santa Fe Trail opened in 1822, and greater numbers of examples survive. Until 1880, all such textiles were blankets as opposed to rugs.
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