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British Entertainment in the 16th century included art, fencing, painting, the stocks and even executions.. While the 16th century and early 17th century squarely fall into the Renaissance period in Europe, that period was not only one of scientific and cultural advance, but also involved the development of changing forms of entertainment – both for the masses and for the elite.
On 2 September 1642, just after the First English Civil War had begun, the Long Parliament ordered the closure of all London theatres. The order cited the current "times of humiliation" and "sad and pious solemnity", a zeitgeist incompatible with "public stage-plays", which were representative of "lascivious Mirth and Levity". [1]
In the Elizabethan era, research has been conclusive about how many actors and troupes there were in the 16th century, but little research delves into the roles of the actors on the English renaissance stage. The first point is that during the Elizabethan era, women were not allowed to act on stage. The actors were all male; in fact, most were ...
The Church was a major influence for music in the 16th century. The Puritans wanted to do away with all church music, but the will of the people to sing only made it more predominant. [4] Many composers that wrote for the church also wrote for the royalty. The style of the church music was known as choral polyphony.
The 16th century began with the ... the British-Italian Alberico Gentili wrote the first book on public international law and ... Entertainment in the 16th century;
The two candidates for the earliest comedy in English Nicholas Udall's Ralph Roister Doister (c. 1552) and the anonymous Gammer Gurton's Needle (c. 1566), belong to the 16th century. During the reign of Elizabeth I (1558–1603) and then James I (1603–25), in the late 16th and early 17th century, a London-centred culture, that was both ...
Interior of the Canterbury Hall, an early example of a music hall, opened 1852 in Lambeth.. Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century.
Fencing was a popular form of staged entertainment in 16th- and 17th-century England. It was also a fashionable (although somewhat controversial) martial art. In 1540 Henry VIII granted a monopoly on the running of fencing schools in London to The Company of Masters. [21]